Compositions and Congruence
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Learning goals
- Track ordered rigid motions and compare the images produced by reversing their order
- Reverse a sequence by applying its inverse motions in reverse order
- Replace two mirror reflections with the correct directed translation or rotation
- Describe glide reflections and explain why their parallel translation and reflection commute
- Establish congruence by a rigid sequence and distinguish rigid maps from stretches
Follow the order
A sequence gives each motion the image left by the preceding motion. For example, start at , move three units right, then reflect across the horizontal axis. The slide produces ; the reflection acts on that new point and produces .
A composition is the single mapping obtained by applying motions in a stated order. We write the order in words: first the slide, then the reflection. Use after the first motion and after the second. The second motion acts on , not on the original .
Each translation, reflection, and rotation preserves every distance and every angle measure. Those are the accepted slide, fold, and turn foundations. Therefore any sequence of them preserves both: each step passes the same length and angle measure to the next step. This does not derive angle preservation from lengths.
Worked example 1 Compare two orders
Problem. Start at separately in each case. Find both intermediate and final images.
Case A. First translate four units right, then reflect across the -axis.
Case B. First reflect across the -axis, then translate four units right.
Solution. Case A first adds to the horizontal coordinate, giving . Reflection then negates that coordinate, giving .
Case B first gives . Adding now gives .
The final points differ. The reflection reverses a rightward displacement if it happens after the slide. Reversing a composition’s order can change its result; it does not always do so.
Check your understanding
First reflect A(3,-2) across the x-axis, then translate two units left. What is A-double-prime?
Reflecting first changes the height, giving A-prime (3,2). Apply the slide to that image.
The final image is A-double-prime (1,2).
Undo the last step first
To undo a journey, retrace its last part before its first part. A slide right followed by a slide up is undone by going down , then left . The inverse of a mapping returns every image point to its original point.
| Motion | Inverse motion |
|---|---|
| Translation with changes | Translation with changes |
| Reflection across | Reflection across the same |
| Rotation about through a directed angle | The opposite directed angle about the same |
A reflection undoes itself because folding back pairs the same two points. An opposite turn retraces the same circle. A zero translation or identity rotation already fixes every point and is its own inverse. A half-turn also undoes itself.
Undo a composition by reversing the order and inverting each motion. The first undoing step must act on the final image to restore the intermediate image.
Worked example 2 Recover the starting point
Problem. A point is translated five units right and three units down, then rotated counterclockwise about the origin. Its final image is . Recover and check the forward journey.
Solution. Undo the rotation first, with a clockwise quarter-turn. The rule gives .
Undo the translation with five left and three up:
Thus .
Check forward: the slide gives . A counterclockwise quarter-turn gives , the required final image.
Check your understanding
A sequence first reflects across m, then rotates 40 degrees clockwise about O. Which sequence undoes it?
Undo the last motion first: turn 40 degrees counterclockwise about the same center O. This returns the intermediate image. Then reflect across the same mirror m, since that reflection undoes itself.
Two parallel mirrors make a slide
Two reflections in distinct parallel mirrors give a translation across twice the gap, directed from the first mirror toward the second. To see the doubling, first use , then . Point reflects to , then to . Its horizontal change is , twice the -unit gap, toward the second mirror.
First justify using one gap everywhere. In the -unit example, slide a perpendicular joining segment up or down along the mirrors until its first endpoint reaches any chosen point of the first mirror. A translation along a line leaves that line in place, as in Translations. Both mirrors have that same direction, so the slide leaves both mirror lines in place. Its second endpoint therefore remains on the second mirror.
The slide preserves the segment’s length and right angles and takes it to a straight segment. Its image is thus a -unit segment perpendicular to the second mirror. The unique perpendicular foot proved in lesson 2.3 makes it exactly the joining perpendicular from the new first endpoint to that mirror.
Nothing depended on or on the mirrors being vertical. Start with any perpendicular joining segment of length and translate it along the mirrors to any other first foot. Both mirrors stay in place, and the unique-foot result identifies its image as that foot’s perpendicular joining segment. Distance preservation gives length again. Thus the positive gap is the same on every perpendicular.
Now follow both reflections along the perpendicular through any starting point. Choose signed positions with the first mirror at and the second at , positive toward the second mirror. If the point starts at position , the first fold gives position . The second fold places it equally far on the other side of :
Nothing depended on the chosen starting position. All these perpendiculars have the same direction because the mirrors are parallel, and the position along the mirrors is unchanged. Every point therefore moves the same distance in the same direction. No quadrilateral theorem is needed.
Reversing the mirrors reverses the translation direction. If the mirrors coincide, reflecting twice gives the identity, a zero translation.
Two intersecting mirrors make a turn
Intersecting mirrors keep their intersection fixed and together turn the plane through twice their directed angle. For example, take a first mirror directed horizontally right and a second mirror directed counterclockwise from it. A point whose ray from the intersection has direction first reflects to direction . Its second reflected direction is , equally far from the second mirror’s direction. The total change is degrees counterclockwise.
To generalize that calculation, choose a ray along the first mirror and measure signed directions from it, counterclockwise positive. Let the second mirror’s chosen ray have direction , and a point’s ray have direction . The first fold negates the direction. The second fold puts that ray equally far across :
Thus every off-center ray turns through . Both reflections preserve its distance from the intersection, which lies on both mirrors and stays fixed. This meets the rotation definition for every point. Choosing the opposite ray along a mirror changes the doubled turn by a full turn, so the final image is unchanged.
Reversing the mirror order reverses the directed turn. When the mirrors are perpendicular, both orders give a half-turn: clockwise and counterclockwise have the same final image. These reflections commute, meaning either order gives the same mapping. Reversing order need not change a composition.
Worked example 3 Replace two reflections with one motion
Problem. Identify the single motion and find the final image in each case.
Case A. Start at . First reflect across , then across .
Case B. Start at . First reflect across the -axis, then across .
Solution. Case A has a -unit gap directed right, so the composition translates six units right. For a direct check, the first image is and the second is .
Case B has a counterclockwise angle from the rightward ray of the first mirror to the rising ray of the second. Its composition is a counterclockwise rotation about the origin.
Check the two steps: , then . This is also the origin quarter-turn image of .
Check your understanding
Two distinct mirrors intersect at O. From the chosen ray on the first mirror to the chosen ray on the second is 28 degrees clockwise. What does reflecting first in the first mirror, then in the second do?
Double the directed angle from the first mirror to the second.
The order gives clockwise direction and O stays fixed, so the composition is the stated clockwise rotation.
A glide follows its mirror
A reflection followed by a nonzero slide along its mirror produces a glide reflection. For a horizontal mirror, the reflection changes height while the parallel slide changes horizontal position. These independent changes explain why the two motions commute.
Worked example 4 Check a glide in both orders
Problem. Use mirror and a translation three units left. Start with separately for each order. Find the intermediate and final images. Decide whether replacing the translation with zero displacement would still give a glide reflection.
Solution. Reflect first: . Slide left next: .
Slide first: . Reflect next: again.
For any point , both orders give . The change across the mirror and the change along it do not interfere. The same explanation works with any mirror and a parallel slide.
With zero displacement, the composition is simply the reflection. Our definition requires a nonzero glide.
A nonzero glide has no fixed point: every point changes its position along the mirror. A slide across the mirror does not meet the parallel condition, so the commuting claim above does not apply to it. Example 1 used such a perpendicular slide and obtained different orders.
Check your understanding
Which pair defines a glide reflection, with the same result in either order?
The mirror is horizontal. A four-unit rightward translation is nonzero and parallel to it, so it forms a glide reflection and commutes with the reflection. Zero displacement leaves only a reflection, while an upward slide is not parallel to this mirror.
Congruence means an exact rigid match
Two figures are congruent when a sequence of translations, reflections, and rotations carries one whole figure exactly onto the other. For example, a triangle reflected and then slid still matches its starting cutout exactly. The sequence changes placement but preserves every distance and every angle measure at each step.
The correspondence records which points match. If go to respectively, write . This order pairs with and the angle at with the angle at . Choosing a different letter order can make a different, incorrect claim.
Worked example 5 Specify and verify a whole-figure match
Problem. Triangle has , , and . Triangle has , , and . Give an ordered rigid sequence taking to , to , and to . Show the intermediate vertices and explain why the whole triangle matches.
Solution. First reflect across the -axis. The images are , , and .
Then translate four units right and two up. The final images are , , and .
Each motion takes straight segments to straight segments, so goes to , to , and to , including every point along each side. The triangle’s interior is carried with its boundary by the same fold and slide. This specified sequence establishes without a triangle test from a later lesson.
The reverse match exists too: first translate four left and two down, then reflect across the -axis.
A nonrigid mapping fails to preserve some distance or angle. Consider the horizontal stretch . It sends and , distance apart, to and , distance apart. Therefore it is globally nonrigid.
A vertical segment from to does keep its length under this stretch. One preserved segment does not make the plane mapping rigid; rigidity requires preservation for every pair of points and every angle. A stretch therefore cannot be included as a rigid step in the congruence definition.
Check your understanding
A rigid sequence sends A to X, B to Z, and C to Y and carries the whole triangle onto the target. Which congruence statement records that correspondence?
Read each correspondence in the starting letter order. A matches X, B matches Z, and C matches Y. The image order is therefore XZY. The rigid sequence establishes congruence; the ordered names record its matches.
| Status | What we may use |
|---|---|
| Earlier foundations and results | Retain the accepted slide, fold, and turn preservation of both distance and angle, plus the line and angle results linked in Rotations |
| Defined here | Ordered composition, inverse, glide reflection with nonzero parallel slide, and congruence by a rigid sequence |
| Derived here | A rigid sequence preserves both measurements; inverse order; constant perpendicular gap between parallels; doubled directed gap and angle; perpendicular-mirror and glide commuting cases |
| Observed evidence | A paper storyboard or measured overlay illustrates a sequence; the written rules specify its action on the whole figure |